Shades of green £25.77
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(Price last checked 09/01/2026 15:12:55)
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Tim Hill's latest album, "Shades of Green," is a kaleidoscopic journey through the lush, verdant landscapes of his musical imagination.
From the moment the first track kicks in, you can almost smell the freshly cut grass and feel the gentle breeze on your face.
Hill's signature blend of folk, jazz, and electronica creates a sound that is at once familiar and completely unique.
The intricate guitar work on tracks like "Mossy Meadows" is reminiscent of Nick Drake, while the dreamy synths on "Enchanted Forest" transport you to a world where fairies frolic in the moonlight.
But don't be fooled by the pastoral imagery - there's a dark undercurrent running through "Shades of Green." Hill's lyrics touch on themes of environmental degradation, political corruption, and existential dread.
Tracks like "Pesticide Blues" and "Concrete Jungle" confront the listener with uncomfortable truths, all set to a backdrop of lush, ethereal soundscapes.
Despite its weighty subject matter, "Shades of Green" never feels preachy or heavy-handed.
Hill's wry sense of humour and knack for catchy melodies keep things light and breezy, even when the message is anything but.
This is an album that will linger in your mind long after the music has stopped playing, a verdant tapestry of sound that demands to be explored and savoured.
From the moment the first track kicks in, you can almost smell the freshly cut grass and feel the gentle breeze on your face.
Hill's signature blend of folk, jazz, and electronica creates a sound that is at once familiar and completely unique.
The intricate guitar work on tracks like "Mossy Meadows" is reminiscent of Nick Drake, while the dreamy synths on "Enchanted Forest" transport you to a world where fairies frolic in the moonlight.
But don't be fooled by the pastoral imagery - there's a dark undercurrent running through "Shades of Green." Hill's lyrics touch on themes of environmental degradation, political corruption, and existential dread.
Tracks like "Pesticide Blues" and "Concrete Jungle" confront the listener with uncomfortable truths, all set to a backdrop of lush, ethereal soundscapes.
Despite its weighty subject matter, "Shades of Green" never feels preachy or heavy-handed.
Hill's wry sense of humour and knack for catchy melodies keep things light and breezy, even when the message is anything but.
This is an album that will linger in your mind long after the music has stopped playing, a verdant tapestry of sound that demands to be explored and savoured.