Australian indie darling Ben Lee has reached a quarter century milestone with his latest release, Quarter Century Classix.
This album sees Lee putting his own unique spin on some classic hits from the past 25 years, with mixed results.
The album kicks off with a cover of Oasis's "Wonderwall," which will either make you cringe or crack a smile, depending on your feelings towards the Gallagher brothers.
Lee's stripped-down, acoustic take on the song offers a fresh perspective, but ultimately falls flat in comparison to the original.
Other highlights include Lee's dreamy rendition of Radiohead's "Creep," which showcases his ethereal vocals and adds a new layer of emotion to the already haunting track.
However, his take on Beyoncé's "Single Ladies" feels forced and out of place, lacking the sass and energy of the original.
Throughout Quarter Century Classix, Lee's playful spirit shines through, but at times it feels like he's trying too hard to impress.
While his quirky charm is endearing, it occasionally hinders the overall cohesiveness of the album.
In the end, Ben Lee's Quarter Century Classix is a fun, albeit uneven, collection of covers that will likely appeal to die-hard fans and curious listeners alike.
With its mix of hits and misses, this album is a testament to Lee's bold creativity and willingness to take risks.
Love it or hate it, one thing's for sure: Ben Lee is always full of surprises.
This album sees Lee putting his own unique spin on some classic hits from the past 25 years, with mixed results.
The album kicks off with a cover of Oasis's "Wonderwall," which will either make you cringe or crack a smile, depending on your feelings towards the Gallagher brothers.
Lee's stripped-down, acoustic take on the song offers a fresh perspective, but ultimately falls flat in comparison to the original.
Other highlights include Lee's dreamy rendition of Radiohead's "Creep," which showcases his ethereal vocals and adds a new layer of emotion to the already haunting track.
However, his take on Beyoncé's "Single Ladies" feels forced and out of place, lacking the sass and energy of the original.
Throughout Quarter Century Classix, Lee's playful spirit shines through, but at times it feels like he's trying too hard to impress.
While his quirky charm is endearing, it occasionally hinders the overall cohesiveness of the album.
In the end, Ben Lee's Quarter Century Classix is a fun, albeit uneven, collection of covers that will likely appeal to die-hard fans and curious listeners alike.
With its mix of hits and misses, this album is a testament to Lee's bold creativity and willingness to take risks.
Love it or hate it, one thing's for sure: Ben Lee is always full of surprises.






